Hana Lee Erdman is a choreographer, dancer, and teacher working across dance, music, and visual art. Her practice explores modes of relation—between humans, more-than-humans, and environments—through embodied research, performance, and collaboration.
Originally from the United States, Erdman moved to Europe in 2007 to work as a dancer. While based in Berlin, she completed her MA in Dance and Choreography at the University of the Arts. She is currently based between Stockholm and Berlin. Her works span contexts and formats ranging from galleries, forests, and churches to stages, publications, and recordings. Recent projects include Companion (2022), a group piece investigating companionship across human and more-than-human relations, and Forests, Fields and Pastures (2021), a choreographic inquiry into slow practices within and beyond the body.
Erdman has collaborated and performed with Cristina Caprioli, Mårten Spångberg, Keith Hennessy, Jeanine Durning, Isabelle Schad, Sara Shelton Mann, Tilman O’Donnell, and Jess Curtis among others.
Since 2016, Erdman has collaborated closely with Louise Dahl, with whom she develops choreographic works and research into dance as a practice of attunement to unseen forces—exploring the thresholds between body and spirit, self and other, presence and performance.
As an educator, Erdman teaches regularly in both academic and professional settings, including as a guest teacher at Stockholm University for the Arts, University of Art Berlin (HZT), and Ballet Akademien in Stockholm.
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