Hana Lee Erdman is a choreographer and dancer based between Stockholm and Berlin. Her work explores how movement organizes itself—within the body, between bodies, and across larger musical and ecological fields. Through choreography, performance, and artistic research, she asks how dance can become an environment.
Working across theatres, galleries, landscapes, and site-responsive contexts, her practice develops through close observation of movement in relation to music, landscape and living systems. Her works develop through interactions between their parts, allowing choreographic forms to emerge through accumulation, variation, and overlap.
Originally from the United States, Erdman moved to Europe in 2007 and has since developed an international practice as both an independent artist and collaborator. She has worked with artists including Cristina Caprioli, Mårten Spångberg, Keith Hennessy, Jeanine Durning, Isabelle Schad, Sara Shelton Mann, Jess Curtis, Tilman O'Donnel and others. Since 2018, she has collaborated closely with choreographer Louise Dahl, developing a body of work shaped by musical thinking and decentralized forms of organization.
Alongside her artistic practice, Erdman teaches choreography and dance at Stockholm University of the Arts and Balettakademien.
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